List of products by brand Edward McCartan

Edward McCartan was born in 1879 in the United States. His artistic training focused on figurative and decorative sculpture, in a context marked by the influence of European classicism and the emergence of new modern forms. Very early on, he developed an interest in the human figure, which he approached with a particular sensitivity to balance and line. 

At the beginning of the 20th century, McCartan is one of the leading exponents of modern American sculpture. His work is characterised by measured stylisation, this approach is in keeping with the aesthetic of the time, where references to the classical body are combined with simplified lines and uncluttered volumes. This approach is in line with the aesthetic Art deco, which emphasises formal elegance, legibility and the synthesis of forms. 

La female figure plays a central role in his work. McCartan depicts her in calm or slightly animated poses, with particular attention paid to proportions and continuity of line. The poses are often balanced, reflecting a search for harmony and stability. This vision gives her sculptures a presence that is both decorative and timeless. 

McCartan works with a variety of materials, including bronze, the stone and the plaster, he works on a variety of projects and commissions. He creates both free-standing sculptures and works for architecture or public spaces. His creations can be integrated into a variety of contexts, ranging from decorative objects to monumental sculptures. 

His work was part of a period when American sculpture was seeking to assert its own identity, while at the same time engaging in dialogue with European trends. McCartan contributes to this evolution by proposing a formal language that combines tradition and modernity, without making a sharp break with classical principles. 

Edward McCartan dies in 1947. His work remains representative of American Art Deco sculpture. She is appreciated for the quality of her modelling, the clarity of her compositions and her role in the transition between academic sculpture and decorative modernity in the 20th century.