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Floral candlesticks: when contemporary design revives French decorative elegance
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Wood is without doubt the oldest and most expressive material for sculpted art. Warm, noble and alive, it has stood the test of time, inspiring the greatest artists and craftsmen.
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The name Guillerme et Chambron resonates in the history of French furniture as that of true master cabinet-makers who were able to transform the art of wood into a contemporary design language.
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In the history of French decorative arts in the XXᵉ century, Maurice Dufrêne (1876-1955) occupies an important place, although often more discreet than that of some of his contemporaries.
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Paul Iribe (1883-1935) occupies a special place among the most singular figures of French design at the beginning of the XXᵉ century.
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In the history of French design in the XXᵉ century, Jean-Michel Frank (1895-1941) occupies a unique place.
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An emblematic figure of twentieth-century fashion, Pierre Cardin (1922-2020) is often associated with the stylistic revolution of the 1960s. Yet his influence extends far beyond the realm of haute couture.
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In the monumental landscape of Paris, few buildings embody French artistic greatness as brilliantly as the Palais Garnier.
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In the history of French decorative arts, few names embody luxury and refinement as clearly as that of Émile-Jacques Ruhlmann (1879-1933).
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In the history of design in France, Roger Tallon (1929-2011) occupies a seminal position.
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